What one person did with Blue,White and Red,the other achieved with Black,White and Grey.
Some things that ought to be mentioned is his proficiency in working with child artists.Children generally spoil the movie.They are either too precocious or plain irritating.Who in Tamil or Malayalam is called an Athigaprasangi.But Ray absolutely makes little wonders of joy.Right from the little Apu,to Kajal,Apu's son in the third part,they are all so innocently mischievous and real that one has to acknowledge his directorial excellence.One reason why he thinks children react so well to his instructions is in his own words "I treat them as adults...I give them whispered instructions..and I never let anyone on the sets mollycoddle them".
Pandit(no wonder they call him that) and Subrata Mitra make no mean contribution to the movie too.Sharmila Tagore in Apur Sansar is a pure joy to watch.Also watch out for the trains,smokes and water bodies.The trademark motives that underline Rays these three works.